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These photographs are made by manipulating the camera and producing images without the use of filters, digital adjustments, or colored lighting. I position the camera to destabilize it and make use of the digital algorithm in order to capture the effects, making visible the camera as a tool. This process raises questions about perception, impermanence, and the role of the photograph as documentation.


C-prints on Fuji Deep Matte paper:

30 x 24 in. ed. 20, A/P 2;

40 x 30 in. ed. 4; A/P 1

Photographs by artist Julia Paul

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